Posted in Beauty, Cultural commentary, General, Photo, Travel, tagged Beauty, Cultural commentary, Photos, purpose in life, Travel on August 15, 2015|
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Culture is an odd and interesting phenomenon. Though the word has now been co-opted to refer to interaction in a business office, the more traditional definition looks more like the http://www.merriam-webster.com first entry: “the beliefs, customs, arts, etc., of a particular society, group, place, or time”. Therein is the oddity and interest. That is a very broad definition trying to capture all that goes into a culture. You can mix and match the first three terms (and the “etc’s” for that matter) with any combination of the “particular” last four terms. Try for instances this combination that helps to explore a situation our tour explored in Peru: ‘art of a particular society in transition through time‘.
Pressing out the air bubbles
Glazed and painted and drying in the sun in readiness for the second firing
We toured the Seminario Ceramicas in Urubamba of the Sacred Valley of the Incas. The head potter, Pablo Seminario, along with his wife the head painter, Merilu Behar, developed a style of glazed and decorated pottery that has elements of ancient Peruvian cultures and modern stylistic exploration. The style was further developed by the isolation necessary for survival during the Shining Path insurgence of the 1980’s. One motif that the potter declared to me that he finds ever new is the shape of the arrowhead. As he said, “It was a tool for gathering food…is similar to the water drop or a leaf”. So Pablo continues to explore splashes of modern creativity mixed with hints of ancient continuity.
Moderno-paleo creations
I was temporarily separated from my tour group because I was taking some pictures in this gallery of creations of the artist. When I exited the room outdoors I didn’t see anyone. I assumed a whole group could not have gone far in a minute so I went to the nearest doorway. When I entered, there was Pablo wielding a small carving tool on a large arrowhead. Realizing I had entered his private studio, I began to back out but he waved me forward, not even slowing the pace of his work.
Pablo manifesting a new vision of the arrowhead
For the next 10-12 minutes we amicably discussed the creative process. He seemed to be quite interested in talking with me because I had brought students to tour Peru and because I talked intelligently about art and science. I asked several questions about how he begins a concept and carries it out. One question involved the arrowhead, “You obviously like to make arrowheads. Why did you start with it and why do you continue with it now?” He related the request from an art exhibit many years ago that he combine modern and ancient elements of design. This request caused him to reflect on the usefulness and ubiquitousness of the arrowhead shape he noticed in nature as quoted above. He continues to see new things in the shape and strives to continue to grow and so pursues more content in the arrowhead. This discussion led to me commenting on how one should be thankful to the Creator for instilling the gift of creativity. He retorted that it was far more work than creativity. I countered that the work is necessary but without merit if the person lacks the creative ability; each of us should work to develop the gift we have. The waste of potential that he sees as an artist and I see as a science teacher consumed some of our interaction. We also interacted over the similarities in science and art, how each involves elements of the other, and how both center around the abilities to think and work hard. It was one of those moments when we both knew that we had connected in a meaningful way even though before that moment we had been total strangers from different cultures pursuing different vocations and avocations, separated by different worldviews. Our connection was musing on life, its processes, and its meaning.
His life had been one sufficiently isolated from the insanity of the violent culture around him in order to survive and thrive, and yet not isolated from creative interaction, as his collaboration with his wife and 50 potters and painters in training attests.
Decorating the forms with Inca symbols
Main Gallery
I think that in this discussion and on this trip I discovered a more complete reason for why I like to travel. It extends my musing on life through observation of diversity in nature, culture, thinking, history, distance, science, people, God’s work in the world, and a host of other providential allowances given by a good Creator. We want to see beauty and substance and understand its meaning and purpose. But many are not willing to wade through the meaning of ugliness and triviality to reach the beauty and substance that does not lend to their preconceived ideas of what it should mean. I agree with Socrates, “The unexamined life is not worth living”. Don’t be afraid to examine yours and others and risk having to change what you hold dear for what is true and good and beautiful and full of substance.
Contrasts of Hues and Properties
Courtyard Beauty of Seminario
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CreatorWorship 
Peru 5
Posted in Beauty, Cultural commentary, General, Photo, Travel, tagged Beauty, Cultural commentary, Photos, purpose in life, Travel on August 15, 2015| Leave a Comment »
Culture is an odd and interesting phenomenon. Though the word has now been co-opted to refer to interaction in a business office, the more traditional definition looks more like the http://www.merriam-webster.com first entry: “the beliefs, customs, arts, etc., of a particular society, group, place, or time”. Therein is the oddity and interest. That is a very broad definition trying to capture all that goes into a culture. You can mix and match the first three terms (and the “etc’s” for that matter) with any combination of the “particular” last four terms. Try for instances this combination that helps to explore a situation our tour explored in Peru: ‘art of a particular society in transition through time‘.
Pressing out the air bubbles
Glazed and painted and drying in the sun in readiness for the second firing
We toured the Seminario Ceramicas in Urubamba of the Sacred Valley of the Incas. The head potter, Pablo Seminario, along with his wife the head painter, Merilu Behar, developed a style of glazed and decorated pottery that has elements of ancient Peruvian cultures and modern stylistic exploration. The style was further developed by the isolation necessary for survival during the Shining Path insurgence of the 1980’s. One motif that the potter declared to me that he finds ever new is the shape of the arrowhead. As he said, “It was a tool for gathering food…is similar to the water drop or a leaf”. So Pablo continues to explore splashes of modern creativity mixed with hints of ancient continuity.
Moderno-paleo creations
I was temporarily separated from my tour group because I was taking some pictures in this gallery of creations of the artist. When I exited the room outdoors I didn’t see anyone. I assumed a whole group could not have gone far in a minute so I went to the nearest doorway. When I entered, there was Pablo wielding a small carving tool on a large arrowhead. Realizing I had entered his private studio, I began to back out but he waved me forward, not even slowing the pace of his work.
Pablo manifesting a new vision of the arrowhead
For the next 10-12 minutes we amicably discussed the creative process. He seemed to be quite interested in talking with me because I had brought students to tour Peru and because I talked intelligently about art and science. I asked several questions about how he begins a concept and carries it out. One question involved the arrowhead, “You obviously like to make arrowheads. Why did you start with it and why do you continue with it now?” He related the request from an art exhibit many years ago that he combine modern and ancient elements of design. This request caused him to reflect on the usefulness and ubiquitousness of the arrowhead shape he noticed in nature as quoted above. He continues to see new things in the shape and strives to continue to grow and so pursues more content in the arrowhead. This discussion led to me commenting on how one should be thankful to the Creator for instilling the gift of creativity. He retorted that it was far more work than creativity. I countered that the work is necessary but without merit if the person lacks the creative ability; each of us should work to develop the gift we have. The waste of potential that he sees as an artist and I see as a science teacher consumed some of our interaction. We also interacted over the similarities in science and art, how each involves elements of the other, and how both center around the abilities to think and work hard. It was one of those moments when we both knew that we had connected in a meaningful way even though before that moment we had been total strangers from different cultures pursuing different vocations and avocations, separated by different worldviews. Our connection was musing on life, its processes, and its meaning.
His life had been one sufficiently isolated from the insanity of the violent culture around him in order to survive and thrive, and yet not isolated from creative interaction, as his collaboration with his wife and 50 potters and painters in training attests.
Decorating the forms with Inca symbols
Main Gallery
I think that in this discussion and on this trip I discovered a more complete reason for why I like to travel. It extends my musing on life through observation of diversity in nature, culture, thinking, history, distance, science, people, God’s work in the world, and a host of other providential allowances given by a good Creator. We want to see beauty and substance and understand its meaning and purpose. But many are not willing to wade through the meaning of ugliness and triviality to reach the beauty and substance that does not lend to their preconceived ideas of what it should mean. I agree with Socrates, “The unexamined life is not worth living”. Don’t be afraid to examine yours and others and risk having to change what you hold dear for what is true and good and beautiful and full of substance.
Contrasts of Hues and Properties
Courtyard Beauty of Seminario
Read Full Post »