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Archive for the ‘Music’ Category

The pastor-elders at our church have been preaching a series on the book of Colossians. The book has been one of my favorites since I discovered it as a teenager. Many of the sayings in the book are so simultaneously eternal and practical. As we have gone through the book, I was musing particularly on the phrase, “Christ in you, the hope of glory.” Once hidden and now revealed, this mystery beyond my ability to grasp. Jesus didn’t just accomplish salvation on the cross, He is living in the believer to assure that the endpoint, the glories of heaven in His presence, are brought about. And for whom, a sinner and hater of God. That is grace most amazing.

I wanted to write a song highlighting this mystery of indwelling us so “that His divine power has granted to us everything pertaining to life and godliness, through the true knowledge of Him who called us by His own glory and excellence.” (2 Peter 1:3)

Christ in you, the hope of glory
Willed by God to make it known
Mystery long ages hidden
Riches of His glory shown
(Colossians 1:26-28)

Those in Christ a new creation
The old things have passed away
Reconciled us in Christ Jesus
And new things have come to stay
(2 Corinthians 5:17-18)

God made Him who knew no sinning
To become sin in our place
That we take on His righteousness
Reconciled to Him by grace
(2 Corinthians 20b-21)

Christ, Creator and Sustainer
Of His Church He is the Head
And through Him to reconcile us
To Himself the day He bled
(Colossians 1:16-20)

One day present with Him in glory
All our sins then far away
Glorifying Him forever
Peace and joy ours on that day
(1 Thessalonians 4:17; Hebrews 8:12, 10:17;
Psalm 86:12; Isaiah 55:12)

If you want to see the short music score, click on “CiY“.

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During the Advent season, I watched a video about the Coventry Carol (1). The history is fascinating and rather odd to our ears and sensibilities. Given the context of one song among many about one subject within the wider story of Christ’s incarnation, I understand its use. But why must we persist in such a narrow interpretation in our present context?

So, I determined to write new words to go with this haunting, ancient tune, ones more broadly capturing the message and purpose of our Savior’s arrival. Try singing it along with the tune listed below (2).

When Jesus came to earth that day
Mixture of joy and pain
Birthed in a stable where they stay
Rough in a manger lain

Oh, but the joy of shepherds then
Fresh from the angels’ song
Worship the child who came to win
Sinners from all their wrong

Then came the magi with their gifts
Praise for the Infant King
Gifts were symbols, this child uplifts
All of His glory sing

Next sorrow came with Herod’s rage
Children killed cruel and cold
Then Rachel’s weeping came of age
Mothers are not consoled

A man of sorrows for our sake
Wept over suffering
Thus “a bruised reed He did not break”
Sickness and pain curing

So was the sorrow and the joy
When Jesus crucified
He suffered our sin to destroy
Rose to be glorified

  1. https://www.youtube.com/watch?v=DplvC9weDro
  2. Coventry Carol Tune

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I ran across a YouTube video that was well done and brought back years of memories:

Bach Little Fugue in G Minor/Flugelhorn Quartet

Here follows an expanded version of the comment I made concerning it.

“Bach organ fugues are the best. I got interested in these as a young teenager. Fugue in G Minor was one of my favorites for several reasons. It has a certain joy with melancholy undertones. The latter is probably the result of the minor key and the lilting, repetitive nature. These two characteristics, joy and melancholy matched my aspirations and personality as a young person. Secondly, I was introduced to the tune by my older brother who whistled it frequently. I dare say that by now I have whistled it more than him, because I did for many years, though only occasionally now. Thirdly, the pipe organ has both an awesome and eerie sound that brings out the full emotion of this tune. This brass rendition is very good. I realized after I had listened to all of it that the flugelhorn is brighter, less eerie, and smoother than the powerful, foreboding, staccato of the organ (1). I like both, but it also occurs to me that this flugelhorn quartet speaks more to my present personality. Music is far more than notes. Even renditions attempting to be identical in tempo and instrumentation may be far different in emotion and intensity. God has given us a great gift in music, which we should use as Bach did: “Soli Deo Gloria” (2)

  1. Bach – Fugue in G Minor BWV 578
  2. “To God alone, the glory”

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My friend emphasized the word “Forte” as he described the good properties of the product. The product was Garlic Forte to be exact. Now to you or me that may seem obvious, but it must not have been to him, because when I said, “That must be loud”, by which I meant intense, he didn’t catch my drift. I explained that forte means “loud” in music, like the opposite of piano. He replied, “I never knew that.” No big deal, because it is a trivia fact if you have not been trained in music. But it set me to thinking about the real meaning of the word, its origin in music and elsewhere.

The Fortepiano was invented by an Italian chap named Cristofori in 1698. (1) I knew from my own piano training as a boy that the pianoforte, or piano as it became to be known, was so named because it struck the keys with a hammer so that it could be played loud (forte) or soft (piano) whereas its precursor, the harpsichord, plucks the strings at a more or less constant volume.

But why would an herbal product be called “Forte”? The word more generally means “strong”. And to say, for example, that “Talking is his forte”, is frequently said as “Talking is his strong suit.” So, Garlic Forte is strong or concentrated or effective or odiferous garlic. Well, I guess you could soften things down a bit and use Garlic Piano, but someone might note that you are playing a Musical Joke. (2)

  1. https://en.wikipedia.org/wiki/Fortepiano
  2. K.522 by Mozart

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